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Acclaimed by D. H. Lawrence as "the greatest book of the sea ever written," Moby Dick looms large in America's literary consciousness — and the style and philosophical content of Melville's 1851 epic was generations ahead of its time. Today the chronicle of a vengeful captain's obsessive, self-destructive search for a white whale ranks among the great American novels, and this volume does full justice to its preeminence. Twenty-five glorious woodcut illustrations from the 1930 Albert and Charles Boni version complement the newly reset edition, which also features an abundance of decorative elements.
Much of Moby Dick was inspired by the 1821 work Narratives of the Wreck of the Whale-Ship Essex, which in turn inspired the 2015 movie In the Heart of the Sea, directed by Ron Howard and starring Chris Hemsworth.
- Sales Rank: #520941 in Books
- Published on: 2015-04-15
- Released on: 2015-03-18
- Original language: English
- Number of items: 1
- Dimensions: 10.30" h x 2.00" w x 7.30" l, .0 pounds
- Binding: Hardcover
- 568 pages
From School Library Journal
Grade 5 Up-Opening with the classic line, "Call me Ishmael," the narrator's New England accent adds a touch of authenticity to this sometimes melodramatic presentation. The St. Charles Players do a credible job on the major roles, but some of the group responses, such as "Aye, aye Captain," sound more comic than serious. This adaptation retains a good measure of Melville's dialogue and key passages which afford listeners a vivid connection with the lengthy novel. Background music and appropriate sound effects enhance the telling of the story about Captain Ahab's obsessive pursuit of the malevolent white whale. The cassettes are clearly marked, and running times are noted on each side of the tapes. Announcements at the beginning of each side and a subtle chime signal at the end make it easy to follow the story, but a stereo player must be used to hear some dialogue. The lightweight cardboard package is inadequate for circulation. Done in a radio theatre format, the recording does a nice job of introducing the deeper themes of the book and covering the major events. For school libraries that support an American literature curriculum, this recording offers a different interpretation of an enduring classic.
Barbara Wysocki, Cora J. Belden Library. Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.
From Library Journal
November 14 marks the 150th anniversary of Melville's salty saga of vengeance and obsession. Now a contender for the great American novel, this book was harpooned at the time of its 1851 publication by critics who found it overly long and boorish (observations no doubt still shared by countless high school students). They felt that like Ahab, the story didn't have much of a leg to stand on. The once lucrative whaling industry also was in its death throes and of little interest to readers. The book was forgotten for decades before being rediscovered in the 1920s by scholars who understood and appreciated the multilevel symbolism and allegory dismissed by their 19th-century predecessors. Melville published little after the failure of Moby-Dick and made his living as a customs inspector in New York City, where he was born in 1819 and died in complete obscurity in 1891. He is buried in the Bronx. This edition of his masterwork includes the full text along with illustrations of whales, whaling barks, and whaling instruments; maps; and a new introduction by Nathaniel Philbrick. A lot for the price.
Copyright 2001 Reed Business Information, Inc.
Review
(in full Moby-Dick; or, The Whale) Novel by Herman Melville, published in London in October 1851 and published a month later in the United States. Moby-Dick is generally regarded as its author's masterpiece and one of the greatest American novels. The basic plot of Moby-Dick is simple. The narrator (who asks to be called "Ishmael") tells of the last voyage of the ship Pequod out of New Bedford, Mass. Captain Ahab is obsessed with the pursuit of the white whale Moby-Dick, which finally kills him. On that level, the work is an intense, superbly authentic narrative. Its theme and central figure, however, are reminiscent of Job in his search for justice and of Oedipus in his search for truth. The novel's richly symbolic language and tragic hero are indicative of Melville's deeper concerns: the equivocal defeats and triumphs of the human spirit and its fusion of creative and murderous urges. -- The Merriam-Webster Encyclopedia of Literature
Most helpful customer reviews
416 of 434 people found the following review helpful.
your understanding might boil down to the quality of the gloss
By Caraculiambro
Unless you are a naval historian or a Melville scholar, you probably won't have a rewarding (or even comprehensible) time with Moby-Dick at this remove unless the edition you're using comes with a good set of footnotes. Here's the skinny on the various editions currently on shelves:
THESE HAVE FOOTNOTES ON THE PAGE ITSELF:
* Charles Feidelson, Jr.'s annotated edition. Unquestionably the most all-around useful edition of Moby-Dick ever printed. Generous and highly useful footnotes right on the page, covering lexical, allusional, and cross-referential items. Two disadvantages: you may at times feel put upon by Feidelson's interlarded interpretations, and the thing is totally out of print. Indianapolis: Bobbs-Merrill, 1964. ISBN: 067260311X
* The "Norton critical" edition, edited by Parker and Hayford. The edition most widely employed by scholars. Stingier with the footnotes than Feidelson, but still a good second choice. Many useful essays at the end. The layout of the text is a bit hard on the eye, though. Make sure you get the SECOND edition, from 2001. ISBN: 0393972836
* The "Barnes and Noble Classics" edition. The footnotes for the most part are skimpy and confined to obscure vocabulary, not cultural and literary allusions. ISBN: 1-59308-018-2
THESE HAVE A FOOTNOTES SECTION IN THE BACK OF THE BOOK:
* The "Oxford World Classics" edition. About 11 pp. at the end. ISBN: 0-19-283385-5
* The "Modern Library" edition. About 13 pp. at the end. ISBN: 0-679-78327-X
* The "Penguin Classics" edition. About 15 pp. of notes at the end by Tom Quirk. ISBN: 0-14-24.3724-7 (This is their fancy hardbound version: see next item.)
* The "Penguin Classics" edition. About 15 pp. of notes at the end by Tom Quirk. ISBN: 0-14-03.9084-7 (This is their paperback edition, which looks totally different but is exactly the same as the previous entry. This claims to be the "definitive text," but any such claim is spurious -- cf. Hayford and Parker [v.s.] for a good discussion of why. Penguin previously came out with an identical-looking but much thicker version annotated by Harold Beaver: the notes for that edition were copious, but on the whole too fanciful and self-indulgent to be of much use.)
* The "Library of America" edition. (This is the one included in the same volume with "Redburn" and "White Jacket.") About 9 pp. of notes at the end. Unfortunately, they're a bit skimpy. You see, they're of the "go get it yourself" kind. For example, when Melville writes, "send Lazarus that he may dip the tip of his finger," the footnotes -- the incidence of which is not marked in the running text -- merely says "Luke 16:24". In other words, you've got to look it up yourself. So I would characterize the footnotes as sparse and taciturn: they'll clue you in to the source, but as for the exact wording of something and its accumulated historical connotations, you've got to come up with those yourself. ISBN: 0-940450-09-7
THESE HAVE NO FOOTNOTES WHATSOEVER:
Why do publishers still print editions of Moby Dick without any footnotes or glossary whatsoever? Who can read it? What a waste of paper. I get so irritated! In any event, the following publishers have decided you'd prefer your white whale raw:
* The "Bantam Classic" edition. ISBN: 0-553-21311-3 Ain't got jack.
* The "Everyman's Library" edition. ISBN: 0-679-40559-3. Zilch.
* The "Penguin 150th Anniversary" edition. ISBN: 0-14-20.0008-6 Bupkiss! Handsome, though.
* The "Arion Press" edition. ISBN: 0-520-04354-5. Also annoyingly oversized.
And that's my bit of altruism for the week.
605 of 637 people found the following review helpful.
This book is gonna make it!
By Adam Roberts
Finishing "Moby Dick" goes up there with my greatest (and few) academic achievements. It was a gruelling read, but---in the end---completely worthwhile.
I've been reading it for 6 months. I started over the summer, during an abroad program in Oxford, and I remember sitting outside reading when one of the professors came over, saw what I was reading, and said: "It's a very strange book, isn't it?"
Looking back, that might be the best way to describe it. The blurb from D.H. Lawrence on the back cover agrees: Moby Dick "commands a stillness in the soul, an awe...[it is] one of the strangest and most wonderful books in the world."
Now there are those who will say that the book's middle is unbearable---with its maddeningly detailed accounts of whaling. Part of me agrees. That was the hardest to get through. But, still, even the most dull subject offers Melville an opportunity to show off his writing chops. He's a fantastic writer---his text most resembles that of Shakespeare.
And, like one Shakespeare's characters, Melville sees all the world as a stage. Consider this beautiful passage from the first chapter:
"Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnifient parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces--though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment."
The end of "Moby Dick" informs the rest of the book, and in doing so makes rereading it inevitable. It is telling that Moby Dick doesn't appear until page 494. It is telling, because, the majority of the book is spent in anticipation---in fact, the whole book is anticipation. It's not unlike sex, actually---delaying gratification to a point of almost sublime anguish. What comes at the book's end, then, is mental, physical, and spiritual release (as well as fufillment).
The book leaves you with questions both large and small. I was actually most troubled with this question---What happened to Ishmael? No, we learn his fate at the book's end, but where was he throughout it? We all know how it starts---"Call me Ishmael"---and the book's first few chapters show him interacting with Queequeg and an innkeeper. But then we lose him onboard the Pequod---we never see him interact with anyone. No one ever addresses him. He seems to witness extremely private events---conferences in the Captain's quarters, conversations aboard multiple boats, and--what can only be his conjecture--the other characters' internal dialogue. Is he a phantom? What is he that he isn't? Somehow I think this question masks a much larger and more important one.
Try "Moby Dick." Actually, don't try it---read it. Work at it. Like lifting weights a bit heavier than you're used to, "Moby Dick" will strengthen your brain muscle. Don't believe those who hate it, they didn't read it. They didn't work at it. Be like Ishmael, who says: "I try all things; I achieve what I can." Or, more daringly, be like Ahab, whose ambition is his curse, but whose curse propels and writes the book itself.
285 of 297 people found the following review helpful.
Open your mind
By TJ
Last year I decided to expand my intellectual horizons by reading a series of American literary classics. Moby Dick was the first book on my list. It took me three months to finish this legendary story and, looking back on it now, I must say that it was worth every minute. To others who are considering this effort I say this: buttress your stamina and open your mind. This is not John Grisham or Tom Clancy. You will be reading high literature and you will be required to think. If you do so, Ishmael, Ahab and crew will open a window to some of mankind's most profound questions: Is it better to fight evil or promote virtue? Where is the line between honorable justice and blind vengeance? Do bad things happen because the universe is evil or just indifferent? The true pleasure to be derived from reading this book can be found by closing its pages every so often and reflecting on the questions that it will raise in your mind. A completely different experience than breezing through the latest best-seller, but much more rewarding.
Be aware that Moby Dick is many types of books in one. It is part adventure story, part sermon, part history of whaling, part encyclopedia of whale anatomy, part metaphysical allegory. Expect it to change periodically as you move through it, be receptive to each part, and don't try to compartmentalize it as any one particular type of work.
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