PDF Download Thievery (Akron Series in Poetry), by Seth Abramson
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Thievery (Akron Series in Poetry), by Seth Abramson
PDF Download Thievery (Akron Series in Poetry), by Seth Abramson
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Here is a book that is truly quietly deeply subtle. It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second’s thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem’s conclusion it says: An archer shoots. That’s what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry. ―Dara Wier A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven’t been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson’s Thievery. At the bottom of this book is the sense that we’ve been ripped off and don’t even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.―Maurice Manning
- Sales Rank: #2851674 in Books
- Published on: 2013-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .25" w x 6.00" l, .35 pounds
- Binding: Paperback
- 80 pages
About the Author
A graduate of Dartmouth College, Harvard Law School, and the Iowa Writers' Workshop, Seth Abramson is the author of two previous collections of poetry, Northerners (Western Michigan University Press, 2011), winner of the 2010 Green Rose Prize from New Issues Poetry & Prose, and The Suburban Ecstasies (Ghost Road Press, 2009). Presently a doctoral candidate (ABD) in English Literature at University of Wisconsin-Madison, Series Co-Editor for Best American Experimental Writing (forthcoming from Omnidawn in 2014), and a contemporary poetry reviewer for The Huffington Post, he has published work in numerous magazines and anthologies, including Best New Poets (University of Virginia Press, 2008), Poetry of the Law (University of Iowa Press, 2010), AGNI, American Poetry Review, Boston Review, Colorado Review, Harvard Review, jubilat, New American Writing, and Poetry. In 2008, he was awarded the J. Howard and Barbara M. J. Wood Prize by Poetry.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A quiet insistence that transports mind and spirit
By onze
Whatever your understanding of spirit - ephemera, igniting force, divine guidance - these pages go there.
This poetry eludes me even as it grabs me by the throat:
I mean the small strummed cord
in the slit in your back.
The shape of the thing that crushes you.
I am not ready to say why it is important to me, but I will tell you I have read it twice through and once more just opening it page by page.
3 of 5 people found the following review helpful.
reveals the reader to himself as if for the first time
By John Michael Albert
Seth Abramson is a superb modern poet. Deservedly, his poetry appears in many fine journals. And he proven a champion of modern poetry and MFA programs in superbly written essays that can easily be researched on the net. Seth is the real things. I've carefully followed his work since a friend pointed out a poem of his in Poetry magazine. I included several of his poems in an anthology I edited called The Poets' Guide to New Hampshire. So, if you're inclined to question praise, there are my disclaimers.
His new book, Thievery, is a strong successor to Suburban Ecstasies and Northerners. Suburban Ecstasies, as the title might hint, was a gorgeous paean to language at its most opulent, its most gorgeous, its most generous. Northerners followed with a book that demonstrated Abramson's virtuosity in several argots, from that of the down-and-outs he might have represented in his days as a public defender in Manchester NH to the academic elite he rubs shoulders with in pursuit of his calling. Thievery, in turn, is a rich exploration of colloquial speech, with a Shakespearian sort of twist. The poems here ennoble the common man, elevate what he has to say and how he says it, to the level of earnest discourse. Ultimately, it all boils down to what it means to be human, how to fill the great gap of time between birth and death, and how to meet the causal and accidental challenges encountered along the way. Abrahmson has a keen ear for the music in speech. The reader is often carried along on a wave of energy that helps him follow the larger meaning of a monologue or a dialogue as it folds over and over itself.
I can only add that, on many occasions, while reading individual poems in this book (and immediately re-reading them), I recognized myself on very specific occasions in my life. I'm still trembling from reading "The Fire Door." What a surprise! And how precisely Seth's craft accomplishes exactly what poetry is supposed to do when it is at its best: reveal the reader to himself as if for the first time.
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